MOVOOKS: MOVIES INHERENT TO BOOKS

Abstract

The present study proposes some reflections about the cinematographic art, approaching its relevance and constructions to reach the various objectives of reading interest. The research also deals with the roots of blockages as to the reader's evolution, which is sometimes confronted with works imbued with great complexity and impregnated with an obscurity proper to literature, which necessitates a re-reading. In this maturation, it is proposed a more stimulating look, which aims at a pre-walk, a rapprochement of the work to the reader. The research is carried out through the analysis of the films Dom, Capitu and O Auto da Compadecida, cinematographic works that are able to infer literality with maximum linguistic richness for readers, aiming at the connectivity, integration and interaction between cinema and literature.